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supported by 6 fans who also own “He Whose Names is Hidden in the Hills”
The mix of raw, brutal rage with beautiful melodies reminds me of fellow Native black metaler Ifernach, but obviously Ushangvagush is very much its own wonderfully twisted creature. Across the ravaged landscape a bleak wind blows, roaring with the voice of the place’s violated Manidou. He is coming for the leech-rot-larval-white settlers with heavy red fists, blazing yellow cat-eyes, and antlers made from the bones of those unjustly slaughtered. He is coming and his vengeance will not be denied.
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Fugitive Wizard - Obscuri Æternum
by Fugitive Wizard
supported by 6 fans who also own “He Whose Names is Hidden in the Hills”
Probably the best in the Fugitive's repertoire of raw, symphonic, buzzsaw poems of dark fantasy. May it have its knightly tinge, it appears to be a more somber exposition in my mind's eye. The first track envisaged for me, a grim and hopeless struggle of a bloody and dirtied knight, the listener, fighting an uphill battle in darkness that has all but extinguished his or her inner light. Despite setback, the warrior stands time and again, and embraces the agonizing woe of assiduity.
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EXULANSIS - SEQUESTERED SYMPATHY
by EXULANSIS
supported by 6 fans who also own “He Whose Names is Hidden in the Hills”
Sorrowful indeed. Utterly beautiful blackened doom metal with melody that draws out a cathartic release. Its works like these that have me believe what Schopenhauer said about music was true, that it speaks truth to what is at our most core.
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The experimental rock band's new record is as melodic and inventive as ever, but now with an even more honed sense of play.
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The Toronto-based sextet make moody, cinematic sounding music that blends psych-folk and post-rock.
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Ross J. Farrar of Ceremony creates dubby outside punk evoking the minimalism of Young Marble Giants on his second solo record.
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OCCLITH - GATES, DOORWAYS, AND ENDINGS
by OCCLITH
supported by 5 fans who also own “He Whose Names is Hidden in the Hills”
Mystic charm crawls down your spine, the doom complete
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